Ingrid Goes West takes a look at the things around us that we can’t see.
Tag: film analysis
The Beguiled Beguiles These Guys, But at What Cost?
Christopher Maher: Hey Sam, hope you’re enjoying this rainy day. Is it cold out? I don’t think I’ve even been outside yet. Is it misty? Because The Beguiled by Sofia Coppola sure was, and also we saw it yesterday and we’re talking about it today. What’d you think? Samuel B Russell: The Beguiled wasn’t so… Continue reading The Beguiled Beguiles These Guys, But at What Cost?
Why Don’t We Talk About How Messed Up Timeline Jumping Is?
Just a little something that bothers me deeply.
Atomic Blonde is Very Cool
Every now and then a movie comes out that proves “style over substance” isn’t the awful thing it’s believed to be. We’ve discussed this in past reviews, but when style is all-consuming, when it is the primary purpose of a film, it becomes the substance. And when that style is good enough to sustain an… Continue reading Atomic Blonde is Very Cool
By Sea, Land, and Air Dunkirk is Very Good
In our three person review (hello guest writers Conor Bell and Brandon Woodruff) we talk about Dunkirk.
Why Does Dormammu Care About Time?
Watch as Dr. Strange wastes a pretty decent sci-fi/fantasy concept. It’s magical.
A Ghost Story is an Intimate and Cosmic Masterpiece
David Lowery has become one of my favorite up-and-coming directors. I remember enjoying his art house western Ain’t Them Bodies Saints (2013), but he really earned my interest with his decision to direct a Disney children’s movie, Pete’s Dragon (2016). Lowery executed a potentially soulless mission with care and grace. He didn’t sell-out, Disney bought-in.… Continue reading A Ghost Story is an Intimate and Cosmic Masterpiece
Screenwriting 101: Chicago’s Twisted Act One
Breaking down Act 1 of a fantastic play & film about someone breaking bad.
Friends on Flicks 