I’ve given a lot of thought to whether or not I want to have kids someday. The key word being “someday.” So much of that experience interests me, but I find it hard to imagine a version of myself capable of handling it. I’m 24 years old. I have two wonderful, low maintenance cats. My… Continue reading Tully is a Candid and Humanizing Depiction of Motherhood
Tag: film criticism
Isle of Dogs is Usually a Good Boy but Occasionally Pisses on the Carpet
Samuel Russell: Isle of Dogs is, as all Wes Anderson films, an exercise in style as much as substance. His name is synonymous with meticulous art direction, dryly dark humor, and a fast-paced twee dialogue. As proved with Fantastic Mr. Fox, the medium of stop-motion animation pairs comfortably with his sensibilities. The movie follows a… Continue reading Isle of Dogs is Usually a Good Boy but Occasionally Pisses on the Carpet
The Metaphor of Chronic Illness in Rosemary’s Baby & Safe
A month or so ago I finally saw Rosemary’s Baby for the first time. My S.O. had been trying to watch it with me for awhile, and I always pushed it off. (I don’t watch a lot of scary movies). This week I watched Todd Haynes’ film Safe, on the recommendation of another friend. With… Continue reading The Metaphor of Chronic Illness in Rosemary’s Baby & Safe
February Round Table Round Up
Sam and Chris are joined by friend Brian Russell and Christian Kozlowski to discuss February releases Black Panther and Annihilation.
The Cloverfield Paradox: In Space, No One Can Hear You “Meh”
Before its release, monster movie Cloverfield announced its presence as a trailer before Transformers. Shaky footage of New York being destroyed by some unseen foe followed by, not a title, but simply the date “1-18-08”. 10 Cloverfield Lane, filmed in secret, appeared on the radar with a trailer less than three months before the film’s… Continue reading The Cloverfield Paradox: In Space, No One Can Hear You “Meh”
Proud Mary Doesn’t Live Up to it’s B-Movie Potential
Sometime last month I was at the theater with my partner (and occasional blog contributor) Liza, and we saw a trailer that comprised solely of Taraji P Henson shooting guns, and performing other action movie tropes. I turned to her and asked, “What do you think that movie is about?” Neither of could come up… Continue reading Proud Mary Doesn’t Live Up to it’s B-Movie Potential
Guy Maddin Remakes Vertigo and Recreates a City in The Green Fog
I saw Guy Maddin’s new film one day after learning it existed. I’m a big fan of Guy Maddin, The Saddest Music in the World and My Winnipeg are two of the most fascinating and beautiful movies I’ve ever seen. I was excited when I read that his latest film, The Green Fog, is a… Continue reading Guy Maddin Remakes Vertigo and Recreates a City in The Green Fog
Sam & Chris’ Top Favorite Movies of 2017
Here it is! We’ve been working all year just so we could write this article. Wow. Happy 2017, ya nerds.
Tommy Wiseau and Tonya Harding: What it Takes to Succeed
The following contains spoilers for The Disaster Artist and I, Tonya This past week I’ve seen The Disaster Artist and I, Tonya, which proved to be strikingly complimentary films. This unintentional double feature paired nicely because each tackles the concept of the “American Dream,” the idea that the United States is a unique environment where… Continue reading Tommy Wiseau and Tonya Harding: What it Takes to Succeed
The Shape of Water is Beautiful, Essentially Flawed
The Shape of Water is a superb cinematic experience. But does one flaw at its core undermine the whole film?