I’ve been looking forward to Annihilation since before I even knew what Annihilation was. After seeing Alex Garland’s directorial debut Ex Machina I was immediately excited to see what this filmmaker would do next. Ex Machina was impressively simple and stylish. It made a dialogue driven story utterly cinematic. Annihilation‘s premise didn’t really excite me, and… Continue reading Annihilation (!!!)
Before its release, monster movie Cloverfield announced its presence as a trailer before Transformers. Shaky footage of New York being destroyed by some unseen foe followed by, not a title, but simply the date “1-18-08”. 10 Cloverfield Lane, filmed in secret, appeared on the radar with a trailer less than three months before the film’s… Continue reading The Cloverfield Paradox: In Space, No One Can Hear You “Meh”
As we turn the ripe old age of one we take time to reflect on the past year.
The “christmas movie” is a strange genre.
Fantastic Beasts, while genuinely enjoyable, has some serious flaws.
People have strong opinions about the US Military. This includes every character in Ang Lee’s Billy Lynn’s Long Halftime Walk.
Crimson Peak seems to claim two distinct genres, constantly shifting between horror and melodrama. Does this make it an indecisive mess or a delectable example of genre-fusion?
Andrea Arnold’s American Honey is bold, deliberate, and immersive. But does deserve its near 3 hour runtime?
Nightcrawler (2014) is a tense thriller follows Lou Bloom as he forces himself into the sensational world of crime journalism. What motivates him, and how does his behavior personify the films major themes of blind ambition and the American dream? Chris Maher explores this and more below.