Would You Kiss Your Robot Twin? (Alien: Covenant review)

Samuel Russell: Hey Chris, how’s it going? So after we saw Alien: Covenant last night I was thinking about the series it belongs to. My first encounter with the Alien franchise was through the 2004 b-movie Alien versus Predator, which is a good example of lowest common denominator sci fi slashers. Even my 10 year… Continue reading Would You Kiss Your Robot Twin? (Alien: Covenant review)

Eighty Years of King Kong: Spectacle or Story?

On good days I consider “Citizen Kane” the seminal film of the sound era, but on bad days it is “King Kong.” That is not to say I dislike “King Kong,” which, in this age of technical perfection, uses its very naivete to generate a kind of creepy awe. It’s simply to observe that this… Continue reading Eighty Years of King Kong: Spectacle or Story?

Isolation and Sex Tie these Two 1964 Japanese Films Together

This article contains major spoilers for Onibaba (1964) and Woman in the Dunes (1964). This weekend Liza (who has contributed to this blog) and I sat down to watch a movie. We aimlessly scrolled through the seemingly endless options our streaming services presented. We ended up on FilmStruck (essentially Netflix for the Criterion Collection) where… Continue reading Isolation and Sex Tie these Two 1964 Japanese Films Together

Crimson Peak is Hot and Cold and Better For It

Crimson Peak seems to claim two distinct genres, constantly shifting between horror and melodrama. Does this make it an indecisive mess or a delectable example of genre-fusion?